The structure of cross-cultural musical diversity
نویسندگان
چکیده
منابع مشابه
The structure of cross-cultural musical diversity.
Human cultural traits, such as languages, musics, rituals and material objects, vary widely across cultures. However, the majority of comparative analyses of human cultural diversity focus on between-culture variation without consideration for within-culture variation. In contrast, biological approaches to genetic diversity, such as the analysis of molecular variance (AMOVA) framework, partitio...
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Singing, rhythmic movement to music, and musical instruments, blown or struck, are pervasive, with a deep history (1). Ethnomusicologists do not dispute the existence of core abilities that support a variety of musical activities across cultures, but they are generally averse to notions of universals involving musical structure or form (2). In their view, the music of every culture is unique, b...
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Electroencephalography (EEG) was used in a cross-cultural music study investigating phrase boundary perception. Chinese and German musicians performed a cultural categorization task under Chinese and Western music listening conditions. Western music was the major subject for both groups of musicians, while Chinese music was familiar to Chinese subjects only. By manipulating the presence of paus...
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phatic communion is a cultural concept which differs across cultures. according to hofstede (2001), the u.s. tends to have individualistic culture; however, asian countries tend to have collectivistic cultures. these cultures view phatic communion differently. in individualistic cultures like u.s., phatic communion reflects speakers’ socio-cultural relationships in conversations. to see whether...
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ژورنال
عنوان ژورنال: Proceedings of the Royal Society B: Biological Sciences
سال: 2011
ISSN: 0962-8452,1471-2954
DOI: 10.1098/rspb.2011.1750